I create black-and-white abstract drawings and paintings as a direct, unfiltered way to express myself. Black-and-white has been a constant in my life since childhood, shaping how I see the world—or maybe it’s just what I’ve always been drawn to.

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My work focuses on the hidden environmental and human crises that are too easily overlooked in modern life. These issues, masked by convenience, continue unchecked, mostly unchallenged. Through my art, I pull them into focus. I want to evoke the same discomfort I feel when confronting these realities. My pieces aren’t just representations. They are mirrors. If they make you feel uneasy, good. That’s the point.

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Every line, circle, and spiral carries weight. They hold my frustrations, emotions, and observations about things beyond my control, things I can’t change alone. Sometimes, I add an element of red. It’s my favourite colour and a personal source of comfort, providing a brief distraction from the heaviness of my themes. For others, though, it has the opposite effect, making the discomfort louder.

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There’s no single message. More than anything, my work, including my unexpected detours give my emotions, thoughts and experiences a physical space outside myself. It’s a release, a search, a protest, a way to throw my frustrations, sadness, and disappointment back at the world. As well as a way to explore ideas. Sometimes, putting it all out there feels risky, but that risk excites me because it feels like freedom.

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I want my work to move through the world unguarded, without boundaries or explanations. Free to find its way and connect with those who need to see it. Like me, it doesn’t seek permission to exist. It just does.